Press — MILTON RESNICK AND PAT PASSLOF FOUNDATION

ArtSeen
True Fictions

David Carrier

The Brooklyn Rail
February 2022

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Style & Subject

Andrew L. Shea

The New Criterion
January 2022

Paintings Rather Than Pictures

John Yau

Hyperallergic
December 2021

One Work: Midge Wattles’ “Venus”

David Ebony

Art in America
August 2021

ArtSeen
GUY GOODWIN: MATTRESS WORLD

David Rhodes

The Brooklyn Rail
June 2021

GUY GOODWIN’S COLOFRUL INELEGANCE

John Yau

Hyperallergic
May 22, 2021

TENTH STREET AND AFTER: PAT PASSLOF WAS A MASTER OF MIDCENTURY AMERICAN PAINTING

Raphael Rubinstein

Art in America
March 2020

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PAT PASSLOF’S TOUCH OF THE BRUSH

Andrew L. Shea

The New Criterion
January 17, 2020

PAT PASSLOF: THE BRUSH IS THE FINGER OF THE BRAIN

Eleanor Heartney

The Brooklyn Rail
November 14, 2019

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PAT PASSLOF: AT THE APEX OF A LEAP

Jason Andrew

Two Coats of Paint
November 4, 2019

DOING WHAT COMES NATURALLY: SEVEN PAINTERS IN THEIR PRIME

Tom McGlynn

The Brooklyn Rail

July 25, 2019

BRINGING MILTON RESNICK BACK INTO THE PICTURE

Stephen Maine

Hyperallegic
September 15, 2018

MILTON RESNICK’S FORMER STUDIO REOPENS WITH RETROSPECTIVE OF HIS WORK

Susan Morris

The Architect’s Newspaper
September 11, 2018

MILTON RESNICK GETS HIS DUE ON THE LOWER EAST SIDE

Hilarie M. Sheets

The New York Times
March 1, 2018

MILTON RESNICK AND PAT PASSLOF FOUNDATION TO OPEN EXHIBITION SPACE

Artforum

October 26, 2017

MILTON RESNICK AND PAT PASSLOF FOUNDATION WILL UNVEIL NEW YORK EXHIBITION SPACE

Andrew Russeth

ARTnews

October 25, 2017

AN ABSTRACT WORLD THAT LOOKS LIKE SILENCE

Ken Johnson

The New York Times
July 24, 2014

PAT PASSLOF: ‘PAINTINGS FROM THE 1950s’

Roberta Smith

The New York Times
December 14, 2014

THE WORLD'S LARGEST LOVE LETTER AND TENTATIVE EXISTENTIAL BEAUTY

Peter Plagens

The Wall Street Journal
December 5, 2014

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PAT PASSLOF: PAINTINGS FROM THE 1950s AT ELIZABETH HARRIS GALLERY

Paul Behnke

AbCrit
November 30, 2014

MAN OUT OF TIME: MILTON RESNICK AT MANA CONTEMPORARY